A TRIANGLE SUN WITH THE SONG AND DANCE

[caspian]

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[atrb=border,0,true][atrb=cellSpacing,0,bTable][atrb=vAlign,bottom][atrb=style, width:300px;] FIRST MIDDLE LAST ( one line of lyrics here please )

[atrb=border,0,true][atrb=cellSpacing,0,bTable][atrb=style, width:400px;] AGE • GENDER • HEIGHT • DOB • NATIONALITY • ZODIAC • ___BENDER

[atrb=border,0,true][atrb=cellSpacing,0,bTable][atrb=style, width:400px;] PERSONALITY list five positive (e.g., sociable, confident) traits here and five negative (e.g., arrogant, callous) traits here Write a short paragraph explaining your character: build upon the listed traits. COMBAT WEAPONS • ONE list here with a description. • TWO no more than two. delete as not used. STYLES [style=margin: 7px 0px; font-family: 'arial'; text-transform: uppercase; -webkit-column-count: 2; -webkit-column-gap: 2em; -webkit-column-rule: 1px solid #000; -moz-column-count: 2; -moz-column-gap: 2em; -moz-column-rule: 1px solid #000; column-count: 2; column-gap: 2em; column-rule: 1px solid #000; text-align: justify; font-size: 10px; line-height: 1.4em;]link to the styles known, separate with the enter key. benders must have national style to begin with. Write a short paragraph on your character's execution of the styles s/he knows. You must do one for each style known. You cannot know radically differing styles in terms of execution, such as one style exclusively requiring agility and dexterity while another style needing the opposite. [/style] OUT OF CHARACTER CHARACTER NAME made by USERNAME of CTL. USERNAME agrees to work with staff on improving my character should any problems arise further down the road in order to generate a better roleplaying experience for everyone. [b]SERIESNAME[/b], [i]Faceclaim[/i] as [u]Character Name[/u] ( other characters here )

[caspian]

[atrb=border,0,true][atrb=vAlign,top][atrb=cellSpacing,0,bTable][atrb=style, width:100px;] 000 WORDS

[atrb=border,0,true][atrb=cellSpacing,0,bTable][atrb=style, width:300px;] FIRST LAST'S SAMPLE one line of lyrics here please Deft stroke after deft stroke after deft stroke, the artist’s brush was relentless as it went to work. But it was also as careful as it was relentless; gently laving the canvas with midnight black ink. To the untrained eye it appeared as though the artist was ruining the canvas, in this case a scroll of paper, with wild and untamed brush strokes. In fact, he was being particular in the way he painted, both in the location of his ink and the weight with which he pressed down upon the scroll, which was resting upon his lap. There was not a single dot of ink splashed. This was the scene of an expert at work; engrossed in his travails. Individual parts of the scroll that were enigmas until it all came together to represent the world the artist saw before him in its truest form… that was his goal, at least, and if he continued on without any forms of distractions, it would appear that he would come close to achieving it. The subject of his painting was a vast landscape; Kairo was in the luscious hills of the Fire Nation, and all around him were abundant flora and fauna: the world was blooming before his very eyes. In the distance a brook babbled, as they are so prone to doing, before spilling out into a river, which in turn splayed itself over a particularly steep drop, becoming a cascading waterfall that caught the rising sunlight, throwing a rainbow on the opposing rock face while filling the air around it with glistening lights that caused people to believe in magic and other miraculous forces. Kairo wasn’t too spiritual a person, but even he could see why so many people were liable to ingraining themselves in the mystical. Their reasoning seemed simple enough: this world is too beautiful for someone or something else, bigger than ourselves, to have created it for us. There were even those who went into the spirit world, and those waterbenders he’d heard of, that used the magic of the spirit world to heal others. It was quite literally all around him; it was too hard not to believe in it. But then again, Kairo didn’t really fancy going into that world. Likely too dangerous or too…big, to ever come out of alive – besides, he already had a big enough challenge painting and sketching and generally recording the entire world; if you threw a second one into the mix he’d never make it back in time for all the others. It was logistical reasons, more than any true disbelief, that kept him from thinking about the spirit world, he mused. ‘Except for right now… but er, painting, landscape. That’s plenty to think on.’ Those deft strokes had become slightly less relentless now, though: the painting was nearing completion. The pot gave a little mellifluous ‘KLINK!’ as Kairo dipped the paintbrush back into the well of ink, swirled it around and took it back out again; it would appear that he was alone in the verdant hills of the Fire Nation. He completed the painting, revelled in its realism for but a moment – an upstanding citizen isn’t arrogant for more than five seconds! – and weighed down each corner of the scroll with some stones he had collected on his walk from the forest. How long had he been travelling? A wary glance towards his backpack told him that he had enough food for around three more days. He had three days to find civilisation. Three days to drift into a new life, yet again. Three days to escape… ‘But this painting comes first.’ thought Kairo as he wandered towards that babbling brook. He hadn’t washed in days, and cleanliness was of the upmost importance!

[caspian]

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[atrb=border,0,true][atrb=cellSpacing,0,bTable][atrb=vAlign,bottom][atrb=style, width:300px;] FUU GARU ( faith and praise keep locked away )

[atrb=border,0,true][atrb=cellSpacing,0,bTable][atrb=style, width:400px;] 14 • MALE • 5'6" • APR. 01 • EARTH KINGDOM • SNAKE • NONBENDER

[atrb=border,0,true][atrb=cellSpacing,0,bTable][atrb=style, width:400px;] PERSONALITY intelligent confident thrill-seeking amicable selfless arrogant foul-mouthed riotous naive stubborn Rough and ready is a good way to describe the tyke known as Fuu. Like his namesake, the wind itself, Fuu can go from serene, going where-ever he feels like, to a hurricane of focused intent with the aim of wrecking you. He's loud and proud, probably able to shout it up with the best of Republic City's market stallers. Fuu is a good kid, pretty much - he'll willingly roll with the cool guys if there's nothing else going on; everyone's a friend of his, in his mind; everyone's just another passenger on the wild rollercoaster that is his life. He's a street kid through and through, and so in the end his goal is simply to survive. COMBAT WEAPONS • WATER PIPE A trusty length of plumbing that Fuu carries around to use in self defence. It's a versatile tool, being able to smash: people; barriers; windows; dreams. He has grown attached to it - if anyone tries to take it from him Fuu becomes very vicious very quickly. STYLES [style=margin: 7px 0px; font-family: 'arial'; text-transform: uppercase; -webkit-column-count: 2; -webkit-column-gap: 2em; -webkit-column-rule: 1px solid #000; -moz-column-count: 2; -moz-column-gap: 2em; -moz-column-rule: 1px solid #000; column-count: 2; column-gap: 2em; column-rule: 1px solid #000; text-align: justify; font-size: 10px; line-height: 1.4em;]STREET KID SURVIVAL STYLE Fuu executes his style of combat very idiosyncratically. His moves are unpredictable and are often unrepeatable. His mode of attacking, however, is very straight forward: hit things with pipe, things go down, end fight. When this doesn't work he finds himself in bother, often trying to run away instead. He packs quite heavy hits, though his style is more about flexibility and agility than anything else. [/style] OUT OF CHARACTER FUU GARU made by RIVER! of CTL. RIVER! agrees to work with staff on improving my character should any problems arise further down the road in order to generate a better roleplaying experience for everyone. [b]TEKKONKINKREET[/b], [i]Black[/i] as [u]Fuu Garu[/u] ( kairo karasu, ando )

[caspian]

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[atrb=border,0,true][atrb=cellSpacing,0,bTable][atrb=vAlign,bottom][atrb=style, width:300px;] KAIRO KARASU ( you are the bluest light )

[atrb=border,0,true][atrb=cellSpacing,0,bTable][atrb=style, width:400px;] 19 • MALE • 5'11" • OCT. 14 • FIRE NATION • DOG • FIREBENDER

[atrb=border,0,true][atrb=cellSpacing,0,bTable][atrb=style, width:400px;] PERSONALITY polite civil intelligent measured artistic timid oddball perturbing sheltered unhelpful Kairo is a man who likes his mystery; it's a great topic for painting and the like. At any rate, he's willing to pick a side and see where it takes him, and then take that side all the way. Sometimes, however, he will act a little... strangely, in that he doesn't betray his companions -- that would be acting against -- rather, this is more a "not going to help" notion. If it's not his fight, it's not his fight, right? Besides, they haven't done anything to hurt him, have they? If his friends need saving, sure, he'll happily step in, but if they're getting along fine? Why should he interfere? Life is a journey, and if he acted as a safety-aid to everyone around him, how would they experience it to its fullest? COMBAT WEAPONS • INK There is a special property to the ink Kairo is so fond of using in all his art. It is highly combustible, being prone to explode should it be exposed to an open flame. He utilises this property to cause damage to his opponents and as a conduit for his fire to travel much further than his actual bending capabilities would allow. While he can in no way manipulate the ink through the typical sense, i.e., in the way of a waterbender, Kairo is skilled with sending it in just the right way. He has deft hands, after all. • JUNIPER The name of his childhood sweetheart has a meaning, and that meaning is immortalised in the tanto Kairo carries around with him, for the purposes of self-defence. It is an ornate, tip-less tanto, being around 30 centimetres in length, with the blade measuring in at just about 12 centimetres. Its hilt is decorated with the purple-pink blossom of the juniper berry, reminiscent of Kairo's childhood friend. STYLES [style=margin: 7px 0px; font-family: 'arial'; text-transform: uppercase; -webkit-column-count: 2; -webkit-column-gap: 2em; -webkit-column-rule: 1px solid #000; -moz-column-count: 2; -moz-column-gap: 2em; -moz-column-rule: 1px solid #000; column-count: 2; column-gap: 2em; column-rule: 1px solid #000; text-align: justify; font-size: 10px; line-height: 1.4em;]national firebending style circus brand firebending Kairo is capable of pulling of feats of flexibility with ease, and utilises this to full effect while firebending. In combat, while it's common to see him stay in one place, he's never static in that position. Preferring to be the more defensive component of the battle, Kairo dodges simply by moving parts of his body others would normally find very difficult to do to the same degree of precision. In terms of offence he unleashes attacks from mid- to long range, playing to his experience in the circus. Kairo's fire tends to be used as more of a spectacle than a weapon. [/style] OUT OF CHARACTER KAIRO KARASU made by RIVER! of CTL. RIVER! agrees to work with staff on improving my character should any problems arise further down the road in order to generate a better roleplaying experience for everyone. [b]NARUTO[/b], [i]Sai[/i] as [u]Kairo Karasu[/u] ( ando, fuu garu )

[Guestman]

Testing out